“At the elm of the dèdalo ensemble, specialized in modern and contemporary repertoire, its conductor Vittorio Parisi, controls the score andconducts the intricate play of voices on stage, behind the stage and in the pit”
Operaincasa.com, February 2020
“On the podium conducting the dèdalo ensemble orchestra Maestro Vittorio Parisi unraveled very well a first performance that was really not easy”
Andrea Merli, l’Impiccione viaggiatore, February 2020
… Thanks also to the precise and sure baton of Vittorio Parisi that combines indisputable pragmatism with consciousness and drive… dèdalo ensemble is a reality of unquestionable value for the new music…
(Roberta Pedrotti, L’Ape Musicale, February 2020)
enthralls the orchestra with Valpurga and The Fifth”
L’Unione Sarda. October 2010. Greca Piras
enchants the audience with his Beethoven”
La Nuova Sardegna. October 2010. Gabriele Balloi.
beautifully conducted also Spohr and Jenaer Philharmonie understands his art”.
Ost Thueringen Zeitung. April 2010 Tatiana Mehner
conducts with extreme confidence”.
L’Opera. February 2008 Luca Del Frà
“Vittorio Parisi, the
conductor, declares his love for this little jewel by Weill conducting with
extreme sensibility but also with vigour and eventful charme”.
Il Messaggero. February 2007 Rita Sala
group, conducted by Parisi, and outstanding success”.
L’Unità. February 2007. Erasmo Valente.
“The first movement
swings so confidently into action and the Scherzo is as good as a breath of
country air. Best of all, the famous slow movement is no self-indungent Largo,
but delivered at a pace that keeps solo work to the fore and sentimentality
well at bay”.
New Zealand Herald. February2006. William Dart
“Vittorio Parisi holds
together the musical body with portrayal vigour and precision”.
La Repubblica. May 2005. Dino Villatico
personality by an excellent Vittorio Parisi”.
Il Giornale della Musica. September 2004
“Very well prepared,
with a moderate gesture, precise like a chronometer, and able to arouse from
the orchestra the highest sorrow and the Nothingness desire of Shostakovitch
and the desolation softened by ephemeral glimmer of Britten”.
Il Corriere della Sera. April 2003. Paolo Isotta.
“Good conducting by
Vittorio Parisi, dry and crucial, incisive and rugged, harsh and tensed, with
clean and sharp colours, that has cleared Poulenc from the French manneristical
elegance where he is often forced giving him a great expressive charge”.
L’Opera. March 2001. Mauro Mariani.
doubts for the musical part, in charge of Vittorio Parisi on the podium of the
Pomeriggi Musicali Orchestra. The Milanese conductor appeared able to control
the innumerable and admirable intricacies of the wonderful score”.
Amadeus. February2001. Mario Bortolotto.